This exhibition was presented and held at Eli Klein Gallery from September 7, 2024 – October 26, 2025.
Link to exhibition
Exhibition Review
Impulse Magazine: Are You Alone Right Now - Sterling Corum
Artists: Quan Wenfei, Yang Shuai, and Echo Youyi Yan.
“At-Will Adaptation: The Exhibition,” is the final and climatic chapter of Eli Klein Gallery’s residency-then-exhibition project featuring artists Quan Wenfei, Yang Shuai, and Echo Youyi Yan. The exhibition showcases newly executed works by the three artists, each highlighting their new experiments and directions.
The Residency has cultivated insightful discussions, constructive comments, and inspiring relationships after welcoming over 100 visitors at the artists’ studio, which was also the gallery space throughout July and August. Throughout the process, the three artists fiercely developed their practices within their focused areas backed by research and their creation processes. These new inquiries will serve as the cornerstone of the next chapter of their practices.
Quan Wenfei, a self-proclaimed “internet archeologist,” is a highly skilled printmaker. Using oil and silkscreen on canvas (a printmaking method popularized by Andy Warhol), Wenfei creates unique works commenting on pleasure, nostalgia, and the formation of habits. During the residency, Wenfei zoomed into the core concept of “selective looking,” a derivative of the print-maker’s worldview. Via playful manipulation of scale and color, she futhers her Click and Win, and Shuffling series. Both series are based on the 90s Windows game Solitaire - the first generation of dopamine-feeding machines. With the ability to look at elements of images selectively (colors, shapes, formations), the print-maker Wenfei and the internet archeologist Wenfei work in unison to strip down redundant layers of information, rearranging and re-grouping them either back to their original states or into brand new abstracted imageries. Wenfei argues that “selective looking” has been deeply wired into our contemporary perceptive systems, and her works only summon it forth to our recognition, like wrap-texting an image in a word document.
Yang Shuai’s mastery in printmaking enables her to apply the principles of “multiplicity”—the foundation of printmaking—onto other mediums. During the residency, she defines herself as the base unit of measurement. With this methodology in mind, Shuai continues to examine the relationship between one and many - repeatedly juxtaposing herself (the constant) with free-handing drawing, collages, prints, risographs, paintings, and etc. (the variables). Shuai has also developed systems to contextualize how the self is used as a measurement. Gridding, matrixing, tile-making, net-making are all examples of this formal but humanitarian approach. Shuai displays the whole spectrum of human society with an entire wall of new works, carefully systemized and laid-out.
Finally, Echo Youyi Yan’s works present the metamorphosis of bodies in different contexts. Inspired by artists such as Pierre Huyghe, she creates research-driven works that are based on a myriad of fields including zoology, anthropology, and eroticism. During the residency, she extended the theme of domestication to domesticity, focusing on nature being tamed and housed under everyday purposes. As a resident artist of the gallery, Echo ironically and literally inspects the aspects of residency on a universal level: how lives might be transformed into tools; how utilities might be stripped away from pseudo-household objects; how intentions of tools might be miss-purposed. Technically, Echo’s new progression includes scraping away portions of stain and resin which she had been applying on her wood sculptures. This act of excavation mirrors an archaeological process, unearthing layers of meaning.
Images courtesy of the artists and Eli Klein Gallery.